FOTOGRAFIJE S DAHOM PROŠLOSTI Wet Plate ili potpunije Wet Plate Collodion proces je kojim se ručno izrađuje unikatna negativ fotografija na staklu, tzv. ambrotipija. Tehnika je izumljena prije više od 160 godina, a njome se danas strastveno bavi i Zagrepčanin Robert Gojević.
DEYAN | • Možeš li nam objasniti što zapravo znači pojam „ wet plate“? ROBERT | – Puni naziv ovog ranog fotografskog procesa bio bi Wet Plate Collodion proces. Izumio ga je Frederick Scott Archer 1851. godine i bio je to prvi fotografski proces koji je zamijenio kompliciranu Dagerotipiju. Proces […]
(Robert) | We live at times full of stress, with a chronic lack of free time, and at the same time we enjoy many benefits of technology, of which, digital photography is just one example brought to perfection. What attracted you to the wet plate collodion process, making you leave […]
ROBERT GOJEVIC | Tell us when and where you first encountered the collodion process. And how is the wet plate scene in Canada? ROBERT KENNEY | I started this journey about three years ago. I’m a big fan of Sally Mann’s work. She came out with a book entitled “Deep […]
ROBERT | Holga wet plate looks very practical and fun to work with. Was it your idea or have you seen done elsewhere? What do you like most about working with the Holga? IAN | Yes the Holga plates are extremely fun to make. It was refreshing to not have […]
ROBERT | When you look back and take into account your experience in the collodion process, what advice would you give to a beginner who is just entering the world of wet plate? ALEX | In the past few years I have seen many people starting extremely excited with this […]
ROBERT | You jointly established Scully & Osterman Studio at your home in 1991, and you continue to run it. What was its role at the beginning, and has that role changed? FRANCE | Mark and I first established the business before we were married, while living in Bucks County, […]
ROBERT | Mark, you are the Photographic Process Historian at the George Eastman House International Museum of Photography and Film. In your job, you researched and then recreated the evolution of photographic processes based on original writings and examples from the museum, and later taught these processes to the general […]
FOTOMAG INTERVJU broj 42: 01.2010, poduži intervju Igora Leskovara s mojom malenkošću o početcima Bulb magazina, njegovom usponu i raspadu, odnosno razlozima nastanka Blura i planova u svezi s njim.
